Capes or Cloaks?

The distinction seems to be length.

A friend’s story about how she and her siblings inherited a nun’s habit, and how it’s been used through two generations to dress superheroes, Hogwarts students, and Halloween witches, encouraged my whole cape and cloak adventure.

Initially, the mother of my young friend drew me a little diagram of a simple cape with instructions to cut and hem a rectangle, gather the top with elastic, and add ribbons at the neck to tie. (I think I recommend the versatility of this version.)

But for the capes going north for make believe in Alaska, I used a pattern. I enjoyed figuring out the whole thing – so much is new to me these days – patterns you download, print, and piece together, a PDF of instructions, smaller seam allowances. These capes, with hoods and pockets can be reversed – but my first attempt at sewing on buttons led to buttons too tight to fit through fastening loops.

But I have a friend, a favorite, funny person, who is a master seamstress – queen of custom sewing – I’m convinced she can sew anything. She routinely wrestles huge sofas and boat upholstery for her clients, but when I asked her to describe a less utilitarian creation, she wrote, “Drag queen dresses for a coronation ball in 1979. Nobody rocks a two-foot headdress better!”)

To my button inquiry she advised me to hold a wooden match between cape and button on each side while sewing. Awkwardly accomplished and perfect!

Now that I’ve seen the movie of “Little Women,” I realize Jo and her sisters could wear the Alaska capes. (Oh, the clothes in the film! Did you see the article about the costume designer? I loved reading about her work: https://www.newyorker.com/culture/on-and-off-the-avenue/how-jacqueline-durran-the-little-women-costume-designer-remixes-styles-and-eras ).

Lady B and Baby Brother won’t know about “Little Women,” and we’ll see what they make of these capes.* I didn’t say which cape for which, when I sent them, but his mom told me that Baby Brother’s favorite color these days is pink.

Making things – such a fine way to stay inside one’s head for a while and see what might be there – but I’m probably cloaked and caped out for now!

*Addendum:  One evening, after sending the capes, I responded to a FaceTime call from Alaska. The phone connected and a darkened room, lit only by candlelight, came into view. Two hooded figures hunched over bowls of hearty soup, and a voice intoned: “…and at this inn this stormy night, two weary travelers break their journey…” One figure remained firmly in character while the other soon brandished a foam sword and requested more light. I loved it.

Create-ful

In the midst of decorating Christmas cookies, Sweet Baby asked her dad to help. While watching him make brown frosting to decorate a horse shape and add a single sprinkle to be an eye, she encouraged him, saying, “you are being very create-ful!”

The new year brings hopes and resolutions about being more of just that, and this year a gift from my friend who paints in the woods aided the thinking. She sent Austin Kleon’s book “Keep Going: 10 Ways to Keep Creative in Good Times and Bad,” a favorite she said, and a little treasure.

We know his 10 points, but reading the reminders in a new form inspired me: finish each day and be done with it, pay attention to what you pay attention to, go for a walk! Kleon would be the first to admit no news here, but his little volume refreshes our thinking.

During the weeks of blog break when considering its future, I read a John McPhee article where he writes of an “old man project,” something without a fixed end but engrossing (he’s 88 and beginning to revisit story ideas that didn’t see print). “Her spirits rose…” might be just that sort of endeavor – endless, no reason to do it, no reason to stop. I could go on for as long as I want or can – observing my surroundings, making note of things that inspire and seem important, and, getting a response if I strike a chord. Such an opportunity!

Another Kleon suggestion for keeping going is to make gifts, “making gifts puts us in touch with our gifts.”

Or our shortcomings!

I experienced this before Christmas when I set out to make a cloak for Sweet Baby, from a long-hoarded dark green velvet remnant. The soft fabric suggested a garment in keeping with the moments when a small princess needs a cloak with a hood! (No luck with that – not enough yardage.)

As muscle memory threaded my machine and filled the bobbin, I became engaged in the sewing – tedious and frustrating – but also engrossing and rewarding. I had plenty of time to be create-ful (adapting to the fabric shortage), and, allow my mind to wander to other possibilities!