Small, Simple Things

I regret my news consumption these days – responding to alerts on my phone with curiosity, dread, and some wild hope that things will change – a frustrating activity. What if I captured those moments?

Carl Richards, in a recent New York Times article, suggests how to “turn wishes into reality” instead of regrets. This sentence stuck out: “Small, simple things done consistently over a long time produce meaningful results.”

It seems to hold so much hope and possibility. A concept good for practical things – saving money, exercise, pulling popweed in the garden, and truly magic for creative work – the 15-minute freewrite, a drawing a day, a few rows knitted!

Having a self-assignment helps – an ongoing series like drawing teacups, flowers, house moments – assuring a place to start and asserting good pressure once begun. Lately I’ve realized that even the rabbit hole of Internet research on a personal project has far more benefit than incessant news viewing. (But still I struggle to resist.)

So I am writing this as a reminder, an encouragement – and to chastise myself. A short time consistently carved from the day might increase skill and will fill a drawer, a sketchbook, or a computer file. Whether those endeavors result in “meaningful results” or not, at least they don’t exacerbate anxiety – and do offer moments of absorption. Some of the best moments life offers.

Save

Kind and Dear

It’s January and cold – in Washington these days the thermometer rarely tops 32° and sinks to 22° – making me long for our usual winter 42° and appreciate house and heat.

This month I try to turn my attention to the house, clearing Christmas, which stops looking jolly and becomes clutter (except the tree, those lights are still so welcome). And January also invites more organizing, seeking comfort and cheer from order.

But in numerous ways I avoid those tasks. Although this year, I happily reboxed Christmas on January 6, energized after reading about the Irish tradition of “Women’s Little Christmas,” the old, but still observed celebration of the women (and surely now men), who worked so hard to make the holidays for their families.

A more typical stalling maneuver is to look at books about houses, including a Christmas present, Ben Pentreath’s “English Houses,” a beautiful book full of photos of loved houses that creak with tilted floors and worn Turkey rugs. Pentreath introduced a room new to me, the “snug,” a tiny room with books and fireplace looking just like the word. (I discovered while writing this that Pentreath writes a blog about his life in Dorset:    http://www.pentreath-hall.com/inspiration/).

And this January I miss “Red House West” – may it return soon! I did see a Pin from the blog’s proprietors of an imaginative under-the-stairs bed, cozily curtained off. And I began thinking about how certain house elements, sunny French windows, odd but comfy chairs, deep window sills, long pine tables make me stare at a photo and want to be there.

Leanne Shapton, an illustrator I admire, said she processes life by employing series and repetition in her work. Maira Kalman does that too. And an artist, Debbie George, I discovered while painting teacups last November, paints antique teacups and flowers one lovely image after another.

January lets such thoughts string together into a project. So, I’m going to look for little moments in rooms that make a difference – quirks, rumples, using houses I know or photos from books or the Internet. Done up doesn’t always do it, but personal often does.

And I can start with this little poem that William Morris had embroidered around the top of his four-poster bed:

     The wind’s on the wold

     And the night is a-cold

     And Thames runs chill

     Twixt mead and hill,

     But kind and dear

     Is the old house here,

     And my heart is warm

     Midst winter’s harm…

That’s the idea!

wm-morris-bed

Save

Save

Save

Save

Save

Save

Save

Save

Save

Tiny Bird, Tiny Girl

Last Friday, on a morning walk in Fort Worden with Sweet Baby and her family, I dawdled while they climbed the steep “up/downs” on the outside of a bunker, and, wondering idly if I could see inside, stretched up to peer in a window. To my surprise, I spotted a tiny pottery bird on the window ledge, sitting on an equally small piece of paper with the typed message:

“If you find me, you may keep me. from, Phoebe Cantelow.”

I wanted to keep it. I recognized its making, and knew I would put it on the windowsill in my workroom with two of its kind already there (they are owls, each slightly different in the way of handmade things).

I felt such gratitude for the happy surprise, reminding me of art making and generosity – a hopeful totem for a new and worrisome year. (I looked up Phoebe Canetlow, and love what she says about starting her working day by making a little bird as a way of centering herself for a day of sculpting.)

Having Sweet Baby and her family here for the Christmas bustle, and for the quiet days afterwards, made me so glad. Sweet Baby is always on the go with language to match. She converses sometimes in expressive and endearing but unintelligible paragraphs. Other times she’s clear: she comes into our house from the Buffalo and declares loudly: “Kay-tee! Poppa Jim! Hi!” She took to mimicking my reply, greeting me with “Hi Sweetie!”

Her parents often say, “gentle” to quiet over-zealous movement, and Sweet Baby smushes the consonants into “gshentil” to admonish us. When the car engine shuts off, she declares: “O KAAY!,” and her “Bye-bye soon” is perfect shorthand for farewells. She is rightly wary of our cranky Frances, and when we go upstairs she repeats with finger to lips, “Ssh, meow sleeping.” With a three-word sentence she warns us “Meow eating food.”

She loved our meals by the fireplace when we all sit at her level at the low down spool table, and eat pumpkin pie (another one). She likes real things best, “helping” to put things away, pushing a tiny grocery cart at the Co-op with flag waving, or caring for her baby girl – putting her to sleep for naps, carrying her in a doll-sized Ergo, and cuddling her in a re-purposed tea cozy.

We spent a day on Bainbridge Island, and while Sweet Baby napped in the pack, we took a long and looping walk in the Bloedel Reserve – winter quiet and winter green. Sweet Baby was overjoyed to see our niece, “M-Ah!,” sitting with her to eat a gooey PB&J at the bakery and holding her hand to walk to the Kiddie Museum.

The family is back to California now, and the new year really begins. But before they left, I tucked one of the tiny owls in the Sweet Bride’s coat pocket (she’s fond of owls).

Thank you for reading “Her spirits rose…,” and all your thoughtful and appreciated comments – this will be the seventh year!

May 2017 bring many happy surprises to you and yours!

tiny-bird-1

Save

Save

Just A Few Days To Go

Emotions fill the holiday season, I know that. But this one is different. I write while preparing for the arrival of our younger son, Sweet Bride, and Sweet Baby – and I recognize the privilege of time and space to make merry. Writing helps me wrestle my thoughts away from the anxiety that much cherished is threatened in the new year.

I had planned to write about Ann Patchett’s new book “Commonwealth,” to say that I read all six hours back and forth to Alaska, finishing as the plane landed in Seattle. In the beginning I was confused, chapters back and forth in time, characters I couldn’t quite keep straight, but by the end it seemed perfect to finish with Christmas and a family cobbled together by love.

I cried watching Patti Smith sing Bob Dylan’s “A Hard Rain’s A’Gonna Fall” at the Nobel ceremony, and I thought of my blue-eyed sons and wanted to write about them, about how astounded I am by them and how grateful for them. They are accomplished and hardworking, and when I watch them care for their own “darling young ones” or hold their wives’ hands, I am undone.

And then today I read “How Does It Feel” in The New Yorker, the wonderful piece Smith wrote about the Nobel event. The link includes the song, and she tells of how she came to sing it, from artful choices and rehearsals through breakfast the next morning. It all fits together to honor art and science, family and friendship. http://www.newyorker.com/culture/cultural-comment/patti-smith-on-singing-at-bob-dylans-nobel-prize-ceremony.

Most of all, at the year’s darkest point in the season of lights, I write to wish you all kindness, beauty in art and nature, and love.

pears-bartlett-copy

 

 

The Teacup Project I

I could title this an escape into teacups. Autumn always brings the appeal of a drawing project on the blog – a month of penline drawings or flowered objects from the V&A. This year, more than ever, I want to refocus my mind away from the incessant and scary election palaver.

So, sourced from the Internet’s byways, I offer a selection of teacup encounters, planning to share them till Tuesday the 8th. (And daily on Instagram.)

Rather than fretting about what’s next in my real work (or for the country), I’ve loved being absorbed in thoughts of these comforting objects, as I sit under the circle of my desk lamp with pen, watercolors, and tea to hand!

teacups-geo-wash

teacups-nesting-teacups

teacups-cptn-cook

teacups-teacups-to-tractors

Save