For four days in May, while Mrs. Hughes celebrated her birthday with her sister and her best friend in New York City, we flew north to help Mr. Carson hold down the fort. (He doesn’t really need much help.) Chill from the north wind dampened the days of our visit, but didn’t dampen Alaska spring activities.
Pretty much nothing is cuter than a six-year old girl with braids and a ball cap playing her first baseball game (after just two practices). Standing by the dugout full of tiny teammates, I watched the swing and heard the satisfying smack when bat connected with ball pitched by her coach. Braids flying, she headed to first base, a little uncertainly at first, and then swiftly!
One day Lady B’s kindergarten teacher planned an excursion to the Municipal Greenhouse and nearby woods, and asked me to lead a little watercolor demonstration. She provided good materials (that can make all the difference with watercolor) – tiny palettes with six real watercolors, fine line pens and brushes with points. The students didn’t need much direction, and soon scattered around the greenhouse to draw – watercolor paper taped to clipboards – then came together in a circle to paint. The penline and watercolors produced amazed me by their careful observation of shape and color, each unique to its creator.
It struck me that the days of Lady Baby are behind us. That little girl in the orange t-shirt, worn over a red, long-sleeved thermal shirt with Tyrannosaurus rex on the front, seems far from anything with baby in the title. The girl formerly known as Lady Baby has school life and social relationships of her own now – two best friends, a girl with a mop of blonde curly hair, and a boy with dark curly hair and big glasses. Maybe now I call her Lady B, a more grown up title, because Baby Brother (who rapidly outgrows that moniker) calls her Bopal.
We spent great days with Baby Brother while Lady B was at school. Playgrounds please, but nothing is as popular as “owside” – the back yard with swing and slide and balls to kick – or a slow amble down the sidewalk out front.
He loves books – specially ones with pictures of “boom boom crash” providers, particularly enormous bulldozers and crane trucks. Lady B reads to him, revisiting all the favorites (dinosaurs). He laughs with the same joy and relief at the resolution in “Knufflebunny” that I remember from her.
When we first arrived I marveled at his mom’s understanding of his language, but as the days passed I began to get it better. He repeats everything said to him – so the structure and intonation becomes more clear, and you realize how much he can communicate, if only his listener understands. He says all the family names, but somewhat curiously, Lord Cromwell became “Bacram.”
It sounds odd to say of someone so young (he’ll be two in early September), but he seems contemplative as he thoughtfully considers things. I say: “Look, chickadees – chick-a-dee-dee-de.” And he listens and looks, head tilted to one side, before repeating the call. It’s easy to be totally silly with him and make up nonsense, eliciting great grins and chuckles.
I loved watching Lady B and Baby Brother greet their mother when she came back. Both brave while she was away – and overjoyed at her return!
*Image used by permission of the artist
Finally “Her spirits rose…” has a new header – the banner at the top – one of several variations I made thanks to my friend who paints in the woods, Andie Thrams.
Last summer Andie, (www.andiethrams.com), came to stay in the Buffalo for a lovely long time. We have known each other since the night 20 years ago we met as strangers in the Anchorage airport for a midnight flight back East. We’d been linked by a mutual friend, who thought we would get along (being flower painters), and an invitation to attend a retreat for people “who keep field journals in their work.”
We share a love of watercolor – and the making of handmade books. Andie introduced me to Vamp and Tramp, those traveling purveyors of artists’ books who represent her ongoing series, “In Forests,” beautiful accordion-fold hand bound books, illuminated by paintings and words. Most of these now reside in collections of libraries and universities around the country.
Andie paints the pages of her books while seated on a little pad on the forest floor. She hikes or kayaks into wild places, carrying her art supplies in a backpack – brushes, watercolors, long sheets of paper, and easel – and immerses herself to paint. The press of development, the wildfires and bark beetle of climate change threaten her studio spaces, making observing and recording these woodland parts of the natural world ever more urgent.
Giant firs, cedars, sequoias, coastal redwoods (she has a long list of beloved trees) and their understory of berries, ferns, and fungi can be overwhelming to paint. But Andie captures the changing greens of season, the glowing light through forest canopy, and enough individual form to make species recognizable. Most days here, she headed into our nearby woods – or ranged further and longer to the old growth of the Hoh Rainforest.
Toward the end of her stay, before she went to kayak with her husband on the fjords of Vancouver Island for two weeks, we sat at my computer, and she attempted to bring my meager Photoshop skills up a level. She tried not to lecture me about my faulty filing system – I can be slapdash about organizing; she is orderly and patient.
But I’ve kept it up, “lassoing” images and making future headers (including the one below in Andie’s honor – wildflowers I drew in Alaska’s Chugach Mountains).
Thanks, Andie, for computer tutorial, visit, and long friendship!
On this June morning, the window to my workroom stands open – sun shining, birds singing, weeds growing – the outdoors beckons. When the days of rain return, I will write about our big family adventure in May and early June. Meanwhile – two worn-velvet armchairs – purply-pink from a bedroom and blue from the sitting room of the Ferndale Guesthouse in Enniskerry, Ireland. We spent the night there before setting out to walk along the The Wicklow Way.
When I asked my old friend on Bainbridge to send a photo of her armchair I’ve always admired, I was startled to see it had no arms! It does have a large, matching ottoman, and is covered in flowered chintz that seems classic in her old Swedish farmhouse. And then I found the same floral genre of armchair (the kind that places you in a field of flowers) in the book “In An Irish House.” It tickled me to find Sybil Connolly’s chair upholstered with fabric of her own design, inspired by the paper flowers of Mrs. Delany.
Last summer when we visited Christopher Lloyd’s garden at Great Dixter, I bought a postcard showing the “solar.” It’s a huge room with all the inviting elements – ancient beams, leaded windows, bookcases, and enormous, deep fireplace. On a worn Turkey rug, these two armchairs and an aged green sofa are arranged in a half-moon in front of the fire.
Maira Kalman often paints chairs, “Comfy Chair” depicts a warm-pink wingback with doilies, and she illustrated the book, “Lucky, Plucky Chairs” by Rolf Fehlbaum, told from the chairs’ point of view. From a Design*Sponge story I learned that Maira Kalman’s New York apartment has white slip-covered armchairs on a black and white rug, in a white room (except for art and treasured collections). Her exuberant paintings come from a tranquil, blank-canvas living space.