In the last few years TV detective series have often filled our evenings – “The Fall,” The Killing,” “Jack Taylor,” “Happy Valley.” There is something silent about these procedurals – you have to guess what’s going on in the minds of complicated detectives with craggy or beautiful, always expressive faces.
But we get inner narration by observant detectives in Tana French’s “The Dublin Murder Squad Mysteries.” These books are mysteries for sure, but even more they tell of place (Ireland) and the doings of complex characters.
In the first book, “In The Woods,” murder detective, Rob Ryan, investigates a crime that takes place near the woods where, when he was 12, he was traumatized and his two best friends disappeared forever. Memories and secrets from that mystery impinge on the present.
The woods are central, “I remembered, too, the three of us finding a secret garden, somewhere in the heart of the wood. Behind some hidden wall or doorway, it had been. Fruit trees run wild, apple, cherry pear: broken marble fountains, trickles of water still bubbling along tracks green with moss and worn deep into the stone; great ivy-draped statues in every corner feet wild with weeds, arms and heads cracked away and scattered among long grass and Queen Anne’s lace. Gray dawn light, the swish of our feet and dew on our bare legs.”
Characters appear in one book and float into the next (six so far). Cassie Maddox, Rob’s partner, becomes the protagonist of the second book, “The Likeness.” She goes undercover to join a group of students living in an old house – the house nearly a character in the book. Years later Cassie still dreams of it: “The house is always empty. The bedrooms are bare and bright, only my footsteps echoing off the floorboards, circling up through the sun and the dust motes to the high ceilings. Smell of wild hyacinths, drifting through the wide-open windows, and of beeswax polish. Chips of white paint flaking off the window sashes and a tendril of ivy swaying in over the sill. Wood doves, lazy somewhere outside.”
And it’s Ireland – where wind blows “rain-spatter in your face…,” the economic bubble has burst, but the language is still rich. French gives us bucolic rural settings and Dublin’s police headquarters, all modern garish office spaces inside, and then outside: “…old, ornate red brick and marble with battlements and turrets and worn carvings of saints in unexpected places. In winter, on foggy evenings, crossing the cobblestones is like walking through Dickens – hazy old streetlamps throwing odd-angled shadows, bells pealing in the cathedrals nearby, every footstep ricocheting into darkness….”
Coincidences and narratives of friendships that mightn’t ring true for every reader occur in these books, but I’ll accept those improbabilities in exchange for the descriptions and the action. And it’s rare to have books both so literate and so deliciously moreish.
Here is winter reading!