Oh I do find inspiration in Maira Kalman’s sense of humor and her take on life. She makes me want to go and do – to travel, to see, and to make. To get on with it!
And just when I needed an infusion of energy in the bird project, a Workroom friend posted a video by the filmmaker Gail Towey. It’s about Maira Kalman, and particularly about the process of selecting objects for the opening exhibition at the recently refurbished Cooper-Hewitt, Smithsonian Design Museum in New York City.
I hadn’t heard about the video or the exhibition – and thought how fine it would be to select objects with personal resonance from a huge collection (some 200,000). It was enough fun to draw all those flowered things from the V&A and post them here! Fancy choosing objects because of the stories they tell, the emotions they can arouse, or because they elicit a “gasp of delight” – and then to make an exhibition, and even collaborate on song and music about your choices.
Kalman calls the exhibition room of “Maira Kalman Selects,” a “contemplative space,” recognizing that people will gravitate to specific objects. The range is broad and eclectic – from Lincoln’s pocket watch (and a recording of it ticking after 200 years!) to hats and shoes and mourning samplers.
Part of her series, “Portraits of Creativity,” Gail Towey’s wonderful film is here:
And I loved this longer one,
http://www.cooperhewitt.org/2015/02/18/maira-kalman-my-favorite-things-a-film-by-gael-towey/. This video records the premier of Towey’s film followed by a question and answer session with Towey, the show’s curator, and Kalman. They talk about what Kalman wanted to see, how they traveled to off-site storage locations to view “the cutest dog in the world,” and about being told, “No, you may not borrow Lincoln’s hat,” by the Smithsonian in Washington D.C.
With the serendipity of creative collaborations, everything came together to support Kalman’s themes of time, of life and death, and questions about the human condition like, “Why am I here?”
“Small questions.” Kalman says.
At the beginning of March, sunshine and daffodils in yellows warm and pale lit up the world. Cold mornings gave way to warm middays, and all day the sun shone into my workroom onto bird photos and paintings. Welcome rain returns this week, but I loved sitting and painting in warmth.
I discovered other amazing bird photographers to add to my acknowledgement list, most specially Alan and Elaine Vernon’s beautiful photos. They are generous and their site a fine resource: www.naturespicsonline.com.
With frets in the air about the early spring and low snowpack, I wait for the migrants to return. No sign yet of these two, the White-crowned sparrow and Violet-green swallow, but I hope to see and hear them soon!
On a pouring rain day at the end of February, a lone bright-red anemone, scattered crocus, and many snowdrops bloom in the garden. Hellebore cluster together on straight stems and bow their blossom heads. An acid spring-green colors a proliferation of not-yet-blooming forget-me-nots, the sharp spears of new crocosmia, and thick moss on garden bed edging logs and pavers. That newborn green shines against the dark gray of winter forest, and amid a discouraging amount of standing water.
Indoors, I consider the bird project – begun with my very favorite and one of the smallest – the winter wren (maybe finding its shape, but not yet background.)